By Elspeth Probyn
Argues that disgrace will be strong for us, a strong source in rethinking who we're, and who we wish to be. The blush is the actual manifestation of disgrace, and connects us with our humanity.
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Extra resources for Blush : faces of shame
41 This then raises another key point: affect amplification makes us care about things. This brings us back to my earlier discussion of interest. Our interest can be aroused by so many very different things that we need a way of being alerted to what is important. Or to put it another way, so much is going on at any one moment that we need a system to make us discretely aware. "45 The innateness also includes what Tomkins calls affect scripts or theory, whereby the human organism incorporates in an intimate way early affective scenes.
The two important points are: unlike drives, affects do not have a predetermined object—"a human can be terrified by anything under the sun"; and affects enable a "finite and concrete multiplication . . " This yields a model that encompasses the binary motivation of the drives (on/off) and the qualitatively different possibilities of the affects. " Visually put, drives are black and white, affects are all the grays. "39 How things differentiate—how simply they frame one of the more pressing questions of our times.
I continued moving on my own: to Vancouver when I was sixteen, then to France for a while, then around different parts of Canada until I settled in Montreal. I was determined to blend in and become Quebecoise, but I hadn't a hope: accent and coloring made me stick out like a sore thumb. I moved again, swearing (in bon Quebecois) that it was for the last time—hostie fa fait ben mat. My body hates it when I move. Months before I emigrated 37 Shame, Bodies, Placed from Canada to Australia I went into somatic spasms.
Blush : faces of shame by Elspeth Probyn